The first composition in the set of the Stockholm Milarepa Life Story paintings depicts him in a relaxed manner similar to what we have seen in the Choggyur Lingpa painting and somewhat in the Choying Dorje sculpture. There are three known sets in this 19th century style and composition, maybe more. The Rumtek Monastery set of the Karma Kagyu Lineage Masters (Kagyu Sertreng) depicts a relaxed Milarepa similar to what we have been looking at in these other paintings. The Rumtek set, a gift of the previous Sanggye Nyenpa Rinpoche, is based on a much earlier version likely to predate Choggyur Lingpa and even Situ Panchen in the 18th century. Looking at these paintings it is interesting to see that the artists have no trouble switching the direction of the seated posture and portraying either the right hand across the knee or the left. Choggyur Lingpa would have been aware of these iconographic depictions of the Kagyu Masters. However, his painting still seems to be the model that the other three are based on with reference to the September 15th posting.
We have posted a new Milarepa comparison page looking at Life Story Paintings and Lineage Paintings:
Milarepa Life Story Painting Set Comparison
Four Milarepa Paintings & One Sculpture (Tuesday, September 22nd)
Four Milarepa Paintings (Tuesday, September 15th)
As to the comment about possible conflation between the relaxed form of Milarepa and the form of Avalokiteshvara known as Resting in the Nature of Mind (Tibetan: spyan ras gzigs sems nyid ngal gso), I have added a new page with examples of this form for comparison.
Showing posts with label art. Show all posts
Showing posts with label art. Show all posts
Wednesday, September 23, 2009
Tuesday, September 22, 2009
Four Milarepa Paintings & One Sculpture
After posting the comparison of the Four Milarepa Paintings last week we heard from a scholar of such subjects and he suggested that there might be a relationship between the four paintings and a well known sculpture carved from rhinoceros horn and said to have been created by Choying Dorje, the 10th Karmapa. The sculpture image is from the publication Karmapa: The Black Hat Lama of Tibet by Nik Douglass.
We have posted a new comparison page also noting the principal characteristics of the paintings and of the sculpture:
Four Milarepa Paintings & One Sculpture
Four Milarepa Paintings (Tuesday September 15th)
We have posted a new comparison page also noting the principal characteristics of the paintings and of the sculpture:
Four Milarepa Paintings & One Sculpture
Four Milarepa Paintings (Tuesday September 15th)
Three Paintings: Are they Painted by the Same Artist?
There is a Maitreya and a Manjushri painting that appear to be from the same set, then an Arhat painting depicting two central figures (this image will be uploaded to the site later today). The two paintings on the left, likely from a set of nine, are the same dimensions, possibly the same Eight Bodhisattva subject, colour palette, etc. The painting on the right with two Arhats, from a set of eleven, is significantly shorter and more traditionally rectangular in shape. Take special notice of the jewelry and ornaments on the figures, also the flowers, leaves, vines and trees. Are these paintings by the same artist, same atelier, or even in the same general style?
Three Paintings: are they painted by the same artist?
Three Paintings: are they painted by the same artist?
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